Torture of Women (Full films)


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Damn You, Ric Meyers - Kidnapped Girls Agency (1983)

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Country: USA
File size: 268 MB

For those who really know the kung fu scene here in the USA, Ric Meyers is well known and polarizing figure. On the one side you have everybody, and on the other you have Ric. A lot has been said about the man, much of it conjecture, and of that, much of it obviously false. What is not conjecture is that Ric Meyers frequently spreads misinformation in his commentaries, articles, and liner notes, yet is still collecting paychecks as a "kung fu movie expert" from people who don't know any better (but should).

For example, Ric Meyers wrote the English language copy for at least some of the IVL DVD releases of Shaw Brothers movies. From the back of Full Moon Scimitar:

"No team of 'Martial Arts World' epic-makers ever matched that of director Chu Yuan and best-selling author Ku Lung. Screen idol Derek Yee is the ambitious, proud master of the 'Meteor' style, who becomes obsessed with sword supremacy and goes on a selfish rampage of violence and sex."

What movie is he describing? I don't recall a rampage of sex, or much of any sex at all in Full Moon Scimitar, and I watched it again only a few weeks ago.

But the weirdest rumor I'd ever read about Ric Meyers was his so called foray into the world of pornography. Supposedly, Meyers starred in and directed bondage porn. The tales of a mind flaying, erection breaking, bondage themed porno elicited a combination of furious laughter and wild expectations. If you don't know what Meyers looks like, hit up his myspace, and giggle with me at the thought of him in bondage gear getting his pimply ass whipped by a dominatrix, then puke in disgust.

Sadly, the film itself isn't anywhere nearly as funny as I'd hoped. The movie in question is KGA: Kidnapped Girls Agency, an hour long soft-core bondage tape released by "HOM Incorporated." In KGA, 80's scream queen/porn star Linnea Quigley plays a young woman kidnapped by a male-female pair of bondage-pervs after attending an audition. The same deviants also kidnap her room mate, and plan to sell them both to the white slave market. Never fear! The Kidnapped Girls Agency, an agency that specializes (one assumes) in the recovery of kidnapped girls, is on the case! Lead by a mighty, portly, bespectacled detective with a very ugly beard (Ric Meyers, lolz) the Agency finds the girls in time, saving them from forced prostitution, through means which I'm not quite sure I followed. The audio quality on the tape I watched is impossibly bad -- so bad I couldn't hear what they were saying in the scenes preceding the finale.

I have to say that I was quite disappointed with this one. It might have entertained me more if I liked bondage or actually cared about Linnea Quigley and Michelle Bauer. The only thing I wanted to see was Ric Meyers embarrassing himself. He does a good bit of that. He looks creepy as hell, for one. For another, he uses a very large dildo as a weapon in one scene, which I assume was intended as humor. It fell quite flat. Perhaps worse is his hand-to-hand fight scene at the end of the film, which provides great competition with the slow motion fight from Dragon Pearl for the "worst fight scene ever filmed" award. The finale to Godrey Ho's Undefeatable is beautiful by comparison. Did I mention Ric tries to brain somebody with a big dildo?

There is a certain question I would like answered: did Meyers direct Kidnapped Girls Agency? The video credits Geoffrey Merrick as writer and director, but IMDb and a bunch of obscure video web sites claim that Meyers auteured this all by his lonesome. It has the feel of a home movie: lapses in audio, lots of stationary camera work and interminably long takes of screaming, naked women and their abductors, and a total lack of composition or lighting design. If Ric made this, he doesn't know much about how to make a movie, and made this one solely to help other fetishists beat one out. If that's your proclivity, you might like this. You might like it if you appreciate the women who appear in this film, although it certainly isn't essential when they're naked in dozens of other movies, at least one of which has to be better than Kidnapped Girls Agency.

Did they think they were doing Cassavetes with bondage? I'd like that question answered too.

I originally finished this review with a really harsh paragraph that insulted Meyers personally. I don't want to do that, because my problems with him are not personal in nature. I simply want to point out how hilarious Meyers is as a person. I mean, if he actually consented to appear in this movie, he deserves a little bit of derision; If he actually directed and wrote it, he deserves it even more. So to that I say: Ric ought to be embarrassed, but I don't think there's anything I could say that would actually effect somebody so shameless.

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Tokyo Decadence (Cinema Epoch)

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Directed by: Ryu Murakami
Produced by: Chosei Funahara
Music by: Ryuichi Sakamoto
Distributed by: Cinema Epoch
Starring: Miho Nikaido, Sayoko Amano, Tenmei kano
Year of Movie Release: 1992
Country of Origin: Germany
Duration: 112 mins
File size: 700 MB

A timid Japanese college girl, Ai, tries to make ends meet as a S&M bondage girl for hire within a world of wealthy businessmen & lavish Tokyo penthouses. Her quest for true love and happiness contrasts with the dark nighttime in Tokyo, ridden with perverse sex and cocaine.




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Tortured Females (1965)

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Studio: Something Weird Video
Release Date: 1965
Director: Arch Hudson
Starring: Denine Dubois, Jud Barry, Rita Penn, Lionel Lane, Randy Glen, Arnold Black, Wayne Ruggles, Randy Dublin, Cheri Bee, Pompom LeMaire, Yvonne Moore, Rose Busch, Candy Sweet, Eloise Encore, Sunshine McRay
Runtime: 62 min
Country: USA
File size: 477 MB

Tortured Females" is one of few surviving films distributed by super-cheap Mitam Productions, which was essentially like a west coast version of New York City's Distribpix. It's also the most entertaining feature on this disc. While there are a few too many striptease acts substituted for torture (shades of Steve Apostolof's ORGY OF THE DEAD), this is a fantastically kooky unearthed treasure. In the style of Dale Berry's films, dialogue is spoken while the actors don't move their mouths, there is lots of rugged outdoor photography, and a dimly lit house is made up to look like an unconvincing dungeon. In the most demented plot point, the naked bloody girls are tended to by (swear to God) a mutated Mongolian hunchback who speaks in sped-up Chipmunk-sound chattering! He feeds the girls like dogs, relishes being whipped by Mr. Big and has to bury the dead captives in shallow graves when they croak from too much torture. Despite the film appearing to be cut (a lesbian rape seems to be missing), this is a perverse journey well worth taking...





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Womens Camp 119 (1977)

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Directed by: Bruno Mattei
Starring: Ivano Staccioli, Ria De Simone, Sonia Viviani, Marina Daunia.
Review: Rare Italian exploitation with a twisted doctor conducting horrid experiments on helpless female captives.
Released: in 1977
Runtime: 97 mins
Distributed by: Three Stars 76
File size: 657 MB

I enjoyed this one! It's a good old fashion Nazisploitation and has a decent plot. It's almost a women in cages movie but with a nazi twist. These doctors do weird and horrible experiments on female prisoners but there are two doctors who are trying to shut the whole operation down. What I remember the most is this odd perverted guy named Kurt running around trying to rape and molest women the whole entire time. I'm not sure if he is suppose to be retarded or a experiment himself, but he is funny and the comic relief of the film. I'm not sure if the film makers intended on him being funny, but it's too late. He's hilarious!







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Women in Cellblock 9 (1977)

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Country: Switzerland
Director: Jesus Franco
Year: 1977
Cast: Karine Gambier, Howard Vernon, Susan Hemingway, Aida Gouveia, Esther Studer
Runtime: 78 mins
Format: AVI, DVDRip
Video: XviD MPEG-4, 720x400 (1.80:1), 23.976 fps, 1240 kbps avg, 0.18 bit/pixel
Audio: MPEG Layer 3, 48 kHz, 2 ch, 96.00 kbps avg
File size: 700 MB

The movie follows a group of women lead by Karine Gambier, who are captured and send to a tropical prison. In there, a female warden and the sadistic Dr. Costas (Vernon) force the girls into revealing the secrets of the organization they belong. But the women won't talk, so they torture them in various ways. After the ladies can't take it anymore, the try to escape the prison, starting a battle to survive...

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Amazon Jail – Ausbruch Der Pantherkatzen Uncut 1982

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Produktionsland: USA | Brasilien
Produktionsjahr: 1982
Laufzeit: 01:29:20
Regie: Oswaldo De Oliveira
Darsteller: Sandra Graffi, Elisabeth Hartmann, Mauricio do Valle, Marcia Fraga, Sergio Hingst
Bildformat: 1,33:1

Mit falschen Versprechungen in den Dschungel gelockt… Unter sklavenartigen Bedingungen gefangengehalten… Gedemutigt, zum Lustobjekt degradiert und zum Sex gezwungen… Nun wollen sie zuruck in die Freiheit!!! Die jungen bildhubschen Madchen versprachen sich Erfolg und einen lukrativen seriosen Job auf der Hazienda des Ehepaars Edgar und Helena. Doch dort angekommen erwartet sie die Holle: Geschunden und erniedrigt, werden sie von dem sexbesessenen Verbrecherpaar in Kafigen zusammengepfercht. Als gefugige Sklavinnen sollen sie zahlungskraftigen Freiern zu Willen sein. Um Folter und Qual zu entgehen wagen sie den “Ausbruch der Pantherkatzen”. Ein scheinbar aussichtsloses Unterfangen, denn vor ihnen der liegt der dichte gefahrliche Dschungel mitsamt seinen unliebsamen Bewohnern, hinter ihnen lauern die unbarmherzigen Verfolger…

Main Details:

* Released in 1982
* Color
* Running Time: 99 min
* Production Co: Atlas Film International GmbH/Cena Filmes Ltda./Producoes Cine Televisao
* Distribution Co: Atlas International Film

Cast and Crew:

* Directed by Oswaldo de Oliveira
* Written by Oswaldo de Oliveira & Alfredo Palacios
* Produced by Ary Fernandes & Alfredo Palacios
* Starring Mauricio do Valle, Elizabeth Hartmann, Sandra Graffi, Ligia de Paula, Shirley Benny
* Original Music by Fabino Ribamar
* Cinematography by Oswaldo de Oliveira
* Film Editing by Gilberto Wagner

A White Slavery Trade business is operating in a private ranch somewhere deep in The Amazon. The man in charge of this business, Edgar (Looking a bit like Lemmy from MOTORHEAD) appears content with the success he's been having. But he's recieving flack from his partner-in-crime (Who happens to be his wife) on ditching this idea before they eventually get caught. Neighboring Edgar's mansion is the "Amazon Jail" where the women are being imprisoned (Which is no more than a wooden shack) Inside the jail, the character of "Betty" is planning a break-out. The plans for a break-out aren't far-fetched given that Edgar's nephew is in love with Mary and will help her and the other girls succeed in getting out. When the date is set for the escape, the nephew tells Mary to meet him at the "Gold mine" loacted deep inside the jungle. The problem is that both the nephew and Betty have never been to the Gold Mine before, so it's no surprise that there won't be no yellow brick road to help out in this destination for our half-naked escapists!

Having been familiar with Oliveira's previous Women-In-Prison flick, Bare Behind Bars, I was expecting to see more of the same with this Amazon Jail. Sure, we got plenty of oversexed themes to feast on, as well as tons of nudity, to satisfy those who want the most in their sleaze. But the explicitness of that previous movie has been toned WAY down for this one. Nothing to report on the shock value here. But one thing I do want to point out that does manage to be a little bit of a "shock". And that's if you know your WiPs, you know that the film always has to conclude with the explosive and action-packed revolt/escape. But in this movie, the escape occurs a lot earlier than one is used to seeing. This means that the viewer could be in store to see something new and special ahead towards the climax. Instead, it's clear the filmmakers just ran out of ideas once the girls are set free. The jungle-survival angle falls flat and the untrustworthy gold-diggers that the girls eventually run into don't provide any threatening menace. If there are a few things that I happened to like about this movie, it would be the slightly-innocent way of handling the slave-trade business (The girls seem to only be used for providing some pleasing, sexy dances for their clients) and that the english dub tends to be a riot (Just because a few characters resemble U.S. southerners in wardrobe and setting, this means that they're given southern drawls. Yuk-Yuk!) but I wouldn't be sure if that's enough to have this one ranked as a treasure in the beloved Women-In-Prison genre.

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Alain Robbe - Grillet's GRADIVA

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Release Date: 2006
Director: Alain Robbe-Grillet
Writer: Alain Robbe-Grillet
Cast: James Wilby, Arielle Dombasle, Dany Verissimo, Farid Chopel, Lotfi Yahya Jedidi, Marie Espinosa, Farida Khelfa, Faycal Attougui, Mohamen Mehdi Ouazanni, Pascal Judelewicz, Asmaa Bouafia, Siham Lahkim, Hamid Nider, Zineb Nijih
Running time: 01:54:04
Aspect Ratio: 1.85:1 Anamorphic Widescreen
Video: DivX, 1848 Kb/s, 704x384
Audio: AC3, 2 ch, 448 Kb/s
File size: 1.99 Gb

Gradiva (C'est Gradiva quit vous appelle) was the final film of Alain Robbe-Grillet (writer:Last Year at Marienbad, director and writer:Trans-Europ-Express). As one might expect from a work written and directed by Robbe-Grillet, Gradiva explores the blurred lines between reality and fantasy, and eroticism and violence.

In Gradiva, a historian named John Locke (James Willby) travels to Morocco to research the paintings of Delacroix for a book. While there, Locke becomes aware of two lost Delacroix sketchbooks from the artist's six month stay in Morocco. Locke becomes obsessed with a woman (Arielle Dombasie) portrayed in the sketchbooks, and begins to see the woman everywhere he goes. His obsession leads him into the bizarre world of the Club of the Golden Triangle, a sadist's oasis where orientalist plays, bondage, and illegal acts take place. Mixed up in the intrigue is a young housekeeper named Belkis (Dany Verissimo) with whom Locker has an affair.

The film boasts a labyrinthine plot, which mixes Wilhelm Jensen's Gradvia with the story of Delacroix's time in Morocco. One might categorize the film as an erotic mystery but the traditional narrative markers are buried within layers of shifts in time and perspective. The narrative parallels and co-mingles the modern age with that of Romantic18th century visions of Morocco. For example, the relationship between John Locke and Belkis, whose dialog consists mostly of repeated utterances of "I don't know, monsieur," and "Yes, monsieur," is setup as an analogue to a relationship between a sultan and a harem girl. The story is rife with such parallels between modernity and the past.

There is a certain tension between the material and Robbe-Grillet's direction. Whereas one might expect a stylized approach to the subject matter, the direction is rather stagey as many scenes occur within four walls with simple setups. The film opens up when it hits the streets or other scenic locations. The stylistic approach leans on the actors to convey the dreamlike surrealism that the writing often seems to call for. Some of the acting putters at the edge of foppishness, which is arguably an artifact of some of Robbe-Grillet's florid dialog. However, the cast does a fine job of anchoring the scrambled narrative.

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Afrika Addio Onkel Tom

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Originaltitel: Addio zio Tom
Produktionsjahr: 1971
Produzent & Drehbuch: Gualtiero Jacopetti & Franco E.Prosperi
Regie: Gualtiero Jacopetti
Darsteller: Nicht Bekannt
Laufzeit: ca. 123/136 Minuten
Regie: Gualtiero Jacopetti
Bildformat: 2,35:1 (anamorph / 16:9)
File size: 851 MB

Der unglaublichste Film aller Zeiten!
Jacopettis Meisterwerk uber den dunklen Fleck der Geschichte gehort zweifelsohne zu den geschichts- und gesellschaftskritischsten Werken, das jemals produziert wurde.
Mit bahnbrechenden Rhetorik, unglaublichen Aufnahmen und einer oskarreifen Fotografie prasentiert uns Jacopetti ein Schockmoment, welches den Zuschauer jede Sekunde in einen Zustand versetzt, der Ekel, Staunen, Verstehen und totale Verbluffung mit sich bringt!
Diese in Venedig, Berlin und Cannes ausgezeichnete Dokumentation gehort neben "Mondo Cane" zu der Mutter aller Mondofilme.
Die Italiener Prosperi und Jacopetti waren drei Jahre lang in Afrika unterwegs, um mit bombastischen Bildern dem Zuschauer das "sterbende" und zugleich "neue" Afrika zu prasentieren.
Neben dem wunderschonen Soundtrack von Riz Ortolani wurde hier mit perfekter Kamerafuhrung ein Film fur die damalige Leinwand geschaffen, der seinesgleichen sucht.
Politische Mi?tande, Rassenha?, Hinrichtung, Wilderei, Krieg und sonstige Mi?stande werden kritisch hinterleuchtet und sachlich dokumentiert. Obwohl einige Bilder dieses Filmes sicher nichts fur schwache Nerven sind, stellen sie letztendlich nur die Wahrheit dar, denn nichts ist harter als die Realitat.

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Street Of A Thousand Pleasures (1970)

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Actors: Peggy Banks, Evelyn Bennett, Pussy Kate, Linda Knight, Carol Lewis
Directors: William Rotsler, Lewis S. Francis
Writers: William Rotsler, Sam Dakota
Producers: Harry A. Wilson, Merrill Dakota
Released in: 1972
Aspect Ratio: 1.33:1
Run Time: 140 minutes
File size: 700 MB

Street of a Thousand Pleasures (1972, 75 min.) - It's a Galapalooza when American oil geologist John Dalton is taken by a rich sheik to the spectacular Street of a Thousand Pleasures, an amazing slave market where buyers can feast their eyes on a veritable smorgasbord of feminine flesh! Everywhere you turn, big beautiful bare buxotics are brazenly on display, played by 71 of Hollywood's Most Abundant Models--including the legendary Uschi Digart (SuperVixens)! Thanks to the up-close and personal Motion Picture Miracle of "Girl-a-Vision," you become the eyes of the camera as it provides an amazing hands-on effect in which you are lovingly and literally submerged in skin! Then it's Boobs-a-poppin' with "Way Out Topless" (1967, 63 min.), a pasties-shakin' celebration of the '60s Go-Go Scene that takes you inside the Sin Spots of Everytown U.S.A.! See sexy strippers strut their stuff in the first film that could proudly be labeled a stripumentary! Go, baby, go, go, go!

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